How to increase tone in a black and white Becquerel daguerreotype?
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Tagged: orange black and white becquerel
- This topic has 12 replies, 4 voices, and was last updated 11 months, 1 week ago by botticelli1972.
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March 24, 2012 at 4:24 pm #7736BakodyParticipant
I accidentally got normal, black and white dag, when I used 6 layers of red film. Every time, when I make an image, I can repeat the B&W result, so I think this is the right way to get normal black and white dags (previous topic)
After this it wasn’t enough for me: I remembered, someone in the forum already try to use different film colors, but just in one layer. What about to use them in more layers?
On the image you can see an egg holder. I was searching for something which has lots of shadows and this was the first thing what I found.
(I couldn’t buy transparent orange film, just a thin plastic document holder. If you get transparent one, I think you need to use them at least in 6 or more layers)
So I bought yellow, transparent, kind of “UV yellow”
red, transparent
orange, plastic
On the image, from left to right:
UV yellow (8layers): at the first 30 min. the image was visible, but weak, then disappeared. Maybe need to use normal yellow film and more layers.
UV yellow (8layers) + red (1layers): you can see the result, still not good
red (6layers): just like usual, high black and white contrast
orange (2layers): you still can see black and white, but you can see more grays.
orange (1layers): not good as you can see.
Development time 2 hours 30min. 2 head 500w halogen light, on the picture you can see the corners.
Interesting…
What do you think?
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March 24, 2012 at 4:48 pm #11428BakodyParticipantI just keep watching the image: 2layres of orange: more grays, but nearly no white… Or maybe just because orange can let go thru more light and just cause grays?
Hmm, new ideals, new questions.
http://daginhun.blogspot.com/ http://www.facebook.com/DagerrotipiaDaguerreotype
March 24, 2012 at 6:56 pm #11429CasedImageKeymasterWhat is the white band in the image on the left hand side? It reminds me of a accidental case of hyper-sensitizing I did to a becquerel plate – the white band at the top of the image was from a darkslide with a loose slide cover that I accidentally moved up and gave the plate a blast of sunlight – I can’t remember if it was pre or post exposure. The resulting plate had the whitest whites of all my becq. plates. It may not relate to your plate but there are many things that could explain the proper tone – correct sensitization exposure, image exposure, polish and development not least among them
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March 24, 2012 at 9:24 pm #11430BakodyParticipantThat band is because of the UV yellow (8layers) development. It’s looks like an overexposed area in a normally developed dag.
http://daginhun.blogspot.com/ http://www.facebook.com/DagerrotipiaDaguerreotype
November 2, 2022 at 3:40 pm #18521Alexey SerebryakovMemberHello. So far I get a blue image. I use 6 or 8 layers of auto film – I light up for 3 hours. I use a 27000lm – 300W LED lamp. Maybe i need to try with a 1000W halogen lamp?
November 28, 2022 at 5:41 am #18529botticelli1972ParticipantBest results I ever got were with Rubylith (the original masking film for orthochromatic processes which is still available from the manufacturer) placed over an exposed plate and set to rest in a north facing window all day. I feel the slow growing of the image particles helps but I have no science to back it, just observational experience. This is a low/no heat procedure, which I also feel is important.
December 13, 2022 at 3:37 am #18530Alexey SerebryakovMemberYes, I know that Rubylith is a proven film. In my country, this masking film is difficult to buy. I ordered to friends from Germany – I am waiting for a parcel. The problem may still be in my silver electrolyte. I assembled it using thiourea, not using cyanides. visually, the coating looks great, but sulfur can interfere
September 5, 2023 at 11:55 am #18535Alexey SerebryakovMemberAre you going to use the film Rubylith in one layer or two?
September 5, 2023 at 2:47 pm #18536botticelli1972ParticipantI only ever used one sheet, taped to a piece of clear glass for support. I did a test once with two, it just took twice as long to develop and the image was no better if I remember correctly.
September 8, 2023 at 3:05 am #18537Alexey SerebryakovMemberThank you.
Now I have a real Rubylith. I have assembled a new silver plating electrolyte, but I still get plates with a bluish tinge. Did you achieve a black-and-white image like Bakody in the test? Or were they bluish too?November 21, 2023 at 9:35 am #18538botticelli1972ParticipantSlow reply, but I have had both blueish and black and white images resulting from the technique. If you look at my images under Larry Shutts you will see the results. It seems to be about 50% split even though I believe I do the same thing each time.
November 27, 2023 at 4:02 pm #18539Alexey SerebryakovMemberI started getting beautiful black and white images. Cyanide electrolyte, one layer of rubilite, illumination with a 500 watt halogen lamp – 2 hours 40 minutes.
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You must be logged in to view attached files.December 8, 2023 at 5:57 am #18541botticelli1972ParticipantThat looks great! The Rubylith is the real secret to getting it right. You might try a few slow developing tests if you have the time. I tried with bulbs of all sorts but settled on natural sunlight, just not direct, using north light only.
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