“One of the most forward-thinking Japanese art institutions, Mori Art Museum, holds its 4th triennial showcase of contemporary Japanese art, “Roppongi Crossing.” This year’s exhibition, Roppongi Crossing 2013: OUT OF DOUBT, is an attempt to trace core value shifting effects of 3/11 on the local art scene and link them to the post-WWII Japanese avant-garde. As is often the case with Japanese art, the works tend to be trivial and overly decorative even when it comes to matters of life-and-death, nonetheless, there are still a few that punch well above their weight. Gripping Takashi Arai’s daguerreotypes, picturing the aftermaths of nuclear disasters from the first atomic test in 1945 to snapshots of Fukushima surroundings, momentous Hiroshi Nakamura’s reportage paintings, Genpei Akasegawa’s political comics and graphic Sachiko Kazama’s woodblock prints make you rethink once more the outcomes of post-Imperial Japan–U.S. alliance, while Yukinori Yanagi’s works take on the broader globalization issues.
Of course, no exhibition can answer where contemporary Japanese art is at, but as one of the curators of the exhibition, Reuben Keegan, accurately observes: “perhaps the question we should be asking is not, after all, what Japanese art is or was. Perhaps what we should be asking is what Japanese art can be. Perhaps we should be asking what Japanese art can do.” And, on a larger scale — “What can Japan be? What can Japan do?”

In the light of the ongoing Fukushima tragedy and upcoming Tokyo Olympics, with its many highly questionable decisions on the future of Tokyo, the timing of “Roppongi Crossing 2013: OUT OF DOUBT” couldn’t be better. Through January 13th.”

To view the original post and images from the show click here.

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In addition, Takashi is also participating in Paris Photo 2013. The event occurs November 14 – 17. For exhibition details view his blog.

Hungry Ghost Collective is a group of fine art photographers currently based in Chicago, Illinois. They recently conducted an interview with artist Sean Culver about his diverse portfolio of work, including his contemporary daguerreotypes. Click here to read the interview. Congratulations, Sean!

For the next ImageObject event we are having to raise extra funds for the staffing in preparation for and for the running of the event.  This set us assessing what needed to be done each year and we have come to the conclusion that to give the best possible show on a regular basis, the event should be held every two years.

So IO-2 will now happen in March/April of 2015 and Io-3 in 2017, etc.  Both the IO team (Alan Bekhuis, Jillian Pichocki and Tyler Scaife) and Penumbra/The Center for Alternative Photography in NYC are enthusiastic and committed to the event which got off to such a great start.  Two years will be a good span to cover the latest in contemporary daguerreotypy as well, making 2015 packed with new material and quite a few newcomers it seems as well.