Feb 16 2016

Daguerreian society conference 2016

Published by under Events

This years Daguerreian society conference is in NYC from Oct. 19th-23rd. It features a Pre-Conference Symposium on “How the 19th-century Is the Basis for All Subsequent Photographic Art” (Oct 20th) and a contemporary exhibit at the Howard Greenberg Gallery.

Corresponding to the shift of the Daguerreian society in recent years away from solely focusing on the “Art and Science of the Daguerreotype” to that all early photographic processes, the symposium outlook takes in all 19th century photographic process used in contemporary art. The contemporary exhibit at the Howard Greenberg Gallery will show artists using different analogue photographic processes and will include 4 contemporary daguerreotypists – Takashi Arai, Adam Fuss, Cris Bierenbach, and Craig Tuffin.

The one-day symposium “How the 19th-century Is the Basis for All Subsequent Photographic Art” features a panel session with prominent contemporary artists discussing how 19th-century photography and its processes have influenced their work. It will also include presentations by curators and collectors on why they include 19th-century photography along with modern photography in their collections.

Sarah Greenough from the National Gallery of Art will moderate the lead-off panel of artists, including Vera Lutter, Adam Fuss, Jerry Spagnoli and Sally Mann. Other sessions will include Denise Bethel speaking on this topic and how collectors and curators should respond, and interviews with several of the world’s top photography collectors, including Michael Mattis and Judy Hochberg, and Thomas Walther.

The trade fair is titled the “19th-Century Photography Show” but contemporary daguerreotypists will, as usual, be able to rent tables to show/offer their works. Tables cost $300 for non society members and $250 for society members.

For more info see www.daguerre.org


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Aug 04 2015

Binh Danh – New website and exhibition announcement

Published by under announcement,Exhibits,updates

Binh Danh has a new site for his daguerreotypes called Scenic Dags. He is also a part of the National Gallery of Art exhibit “Memory of Time” located in Washington, DC.  The show includes many renowned artists and is open until September 13th. For details visit the NGA website.



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Jun 02 2015

Gallery update – Beniamino Terraneo

Published by under gallery updates

Beniamino’s gallery page has been updated with all new images. To see the rest of them visit his gallery page.


Lago di Como 2014


Venezia, Molo San Marco 2013.jpg


Pisa, Piazza dei Miracoli 2014.jpg

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Feb 08 2015

Trees Triptych

Published by under auctions,whole plate

Up for auction at Swann Galleries in NYC is a whole plate triptych of trees by Jerry Spagnoli and looking every bit its estimate of US$ 7000-10 000.

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Jan 24 2015

Fuming boxes by K. Azril Ismail

Published by under Fuming boxes

Large format strikethrough fuming boxes made by K. Azril Ismail (photoformulary@gmail.com)

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Dec 24 2014

Happy holidays from CDags!

Published by under announcement

Thanks to Mike Robinson for this festive image and daguerreotype! Happy holidays from CDags. We look forward to seeing new work from all of you in 2015!


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Dec 04 2014

Please excuse our dust

We are in the process of transferring CDags.org to a new hosting site. Please excuse any difficulty in using the site while we work to complete the transfer. The work is carried out by a volunteer team of editors as time allows.


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Nov 06 2014

Binh Danh – New solo exhibition at Haines Gallery

Published by under announcement,Exhibits



Haines Gallery is pleased to a solo exhibition featuring new works by artist Binh Danh.
November 6 – December 20, 2014
Opening Reception: Thursday, November 6, 2014, 5:30pm to 7:30pm
Haines Gallery – 49 Geary St #540, San Francisco, CA 94108


Binh Danh‘s latest series of daguerreotypes focuses on the San Francisco cityscape—rendering scenic vistas, sites of civic engagement, and familiar street scenes all with the exquisite detail that only his chosen medium can capture. This body of work is many things at once: an homage to a place the artist loves; a nod to the albumen prints by pioneering photographers like Carleton Watkins and Eadweard Muybridge, who focused on the developing San Francisco metropolis during the late nineteenth and early twentieth centuries; and a politically charged effort to freeze an important moment in San Francisco’s history—a dynamic time of economic growth, disparity and displacement. For Danh, the work brings together his photographic practice and lived experience, as he revisits many sites from his formative years and bears witness to the city during a time of significant transformation. The exhibition takes its name from a 1901 poem by William Vaughn Moody called The Daguerreotype.


Binh Danh has been the subject of a number of solo exhibitions at institutions including the Fresno Art Museum, Fresno, CA (2007), North Carolina Museum of Art, Raleigh, NC (2010); Nevada Museum of Art, Reno, NV (2010); and the Sheldon Museum of Art, Lincoln, NE (2011); and was included in the group exhibition After Ansel Adams at the Museum of Photographic Arts, San Diego, CA (2014), and the 18th Biennale of Sydney (2012). Danh’s work is held in a number of permanent institutional collections, including the National Gallery of Art, Washington, D.C.; the deYoung Museum, San Francisco, CA; Museum of Contemporary Photography, Chicago, IL; Philadelphia Museum of Art, PA; George Eastman House, Rochester, NY; and San Jose Museum of Art, CA. He received a Eureka Fellowship in 2010.


This is the artist’s fifth solo exhibition at Haines Gallery.



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Sep 28 2014

Negativeless – Current exhibition at the Michael Hoppen Gallery

Published by under announcement,Events,Exhibits

Home and the World, 2010, Daguerreotype, 70.5 x 106.7 cm © Adam Fuss

Home and the World, 2010, © Adam Fuss

is the current exhibition at the Michael Hoppen Gallery in London. It runs from September 19th – October 23, 2014. Among the artists included are contemporary daguerreotypists Sean Culver and Adam Fuss.


“In a world of photography where digital ‘snaps’ are becoming the tedious norm, the Michael Hoppen Gallery presents a show navigating an area of photography that little is known about: the photograph made without a negative. No, not a photogram – but a photograph. We will present a wonderful mix of works, from rare early daguerreotypes through to contemporary takes on these early techniques.

 Photographs were invented to be reproduced on demand. The London Stereoscopic Company, as an example, in the 19th century managed to produce hundreds of thousands of copies of photographs from individual negatives. As the mechanical world came into being,mass re-production became the preferred method.

 The early photographer in the 1830’s and 1840’s strained to produce lasting images of quality and consistency and it was only in 1835 that the negative by Henry Fox Talbot was invented which allowed them to print numerous copies, and after the paper negative, it was no less arduous and complex a process coating collodion negatives. However, in 1837 [sic], Daguerre, a French scientist and inventor, developed a beautifully complex system of producing a photograph on a silver plated copper sheet which was usually cased so that owners could keep the images of their loved ones close to them in their pockets. Larger, half plate daguerreotypes, although much more expensive to produce and hence highly sought after, were often hung on the wall.

Today’s photographers have adopted the digital world in a way no one could have predicted. The days of the hand-made photograph, the laboratory technician, the chemist and artist combined seem almost like a distant memory. The camaraderie of the photographers and printers who would meet in the basement darkrooms of Soho to go over contacts and discuss the printing is all but gone…”


To read the full exhibition statement and see additional images visit the website.


Home and the World, 2010, Daguerreotype, 70.5 x 106.7 cm © Adam Fuss

Home and the World, 2010 © Adam Fuss

Presence Series: Gift, 2006, Daguerreotype, 12.7 x 17.18 cm, © Sean Culver

Presence Series: Gift, 2006, © Sean Culver

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